Ok, "best" might be subjective. But I'm about to make a case for why the Fuji XF 35mm f/1.4 lens is the most impressive piece of glass Fuji has ever developed.
Fujifilm has gobbled up more and more of the marketshare due mostly to their versatile line of quality lenses. With more high-profile offerings like the 16mm f/1.4 or the 90mm f/2, you might not pay much attention to the older and cheaper Fuji XF 35mm f/1.4.
That would be a mistake.
Technical Specs of the Fuji XF 35mm 1.4 Lens
- Lens Construction: 8 elements, 6 groups
- Focal Length: 35mm – equivalent to a 53mm on a full-frame sensor
- Aperture Range: f/1.4 – f/16 in ⅓ stop increments
- Aperture Type: 7 blades
- Focus Range: Approximately 8cm - ∞ (infinity)
- External Dimensions: 65mm diameter × 50.4mm long
- Weight: 6.5 ounces
- Weather sealed: no
- Image stabilization: no
- Distortion: minimal
- Chromatic Aberration: minimal
- Vignetting: Slight darkening in corners when wide open, reduced by more than half when stopped down to f/2
Red alert: for some photographers, the lack of weather sealing is important. In fact, it can be reason enough to pick up the Fuji XF 35mm f/1.4's weather sealed little brother, the Fuji XF 35mm f/2. With comparable optics, you won't feel too bad about sacrificing the additional aperture stops if shooting in the rain or snow is important to your work.
The Fuji XF 35mm f/1.4 lens is a coat pocket-sized prime with a lovely metal construction. Photographers coming from the Nikon or Canon world of standard lenses will be tickled by the physical aperture ring for use in manual or aperture priority modes (otherwise, just set the ring to 'A' for auto). The aperture ring has a solid-enough give to it – I've never had my aperture shift without my intention, but it seems like something that could be an issue with lenses of a lesser build quality.
Autofocus vs Manual Focus on the Fuji XF 35mm f/1.4
Autofocus is reasonably fast under ideal lighting conditions due to the electronic focus motor built in to the lens. Focus accuracy, of course, will depend on the sophistication of your camera body.
In low light, this lens has been known to hunt. Overall, the focusing prowess of the Fuji XF 35mm f/1.4 is outpaced by its younger brother, the 35mm f/2.
Through subsequent firmware updates, Fuji has combatted the loud 'chatter' of this lens when shooting on a mode that requires the aperture to stop down to meter your exposure (so anything not manual or aperture priority). The sound is still there, but it's much less obtrusive than it used to be.
When it comes to Fuji's lenses, manual focus is operated using a'fly-by-wire' system. Essentially, the focusing ring isn't mechanically connected to any of the lens elements, and the manual focus is painstakingly slow and precise. It's best to use autofocus to get your subject in range of focus and fine-tune it with the focus ring.
Is the Fuji XF 35mm f/1.4 Sharp?
Yes. It is very sharp. The optics on this lens are absolutely gorgeous (helped along by Fuji's X-Trans sensor having no anti-aliasing filter). Wide open at 1.4, you may notice a very slight declination in sharpness around the edges, but with such a razor thin area in focus, it's almost never apparent.
This is especially useful in portrait photography. Unlike most primes, portraits shot with the Fuji XF 35mm f/1.4 can be shot wide open without sacrificing noticeable sharpness, giving you creamy subject isolation.
Does the Fuji XF 35mm f/1.4 Flare?
Fuji uses a proprietary Super EBC lens coasting to mitigate ghosting and flaring. But if you choose not to use a lens hood... yes, it does flare, and it's a lovely thing!
The Fuji X-pro1's infamous back-focusing grabbed the cityscape in this shot, but at f/8, there are no unsightly blurry areas. I shoot without a lens hood and embrace flaring when it happens, and I was pleasantly surprised to find that the Fuji 35mm 1.4 retains an impressive amount of contrast and detail when flaring.
What It's Like to Shoot with the Fuji XF 35mm f/1.4 Lens
Unless you're a seasoned street photographer who's comfortable shooting at 16mm, this is the definitive walk-around lens.
A 35mm focal length on an M43 body is equivalent to 53mm on a full frame camera. For street or environmental portraiture photographers, it's the perfect focal length for grabbing an intimate candid scene without getting confrontational with your subjects.
It's long enough to shoot headshots and 3/4 portraits with minimal distortion, and wide enough to nail full-body fashion work and larger scenes. However, the 53mm equivalent is too tight for things like group photos at a party or architecture.
Stop down to f/16 to shoot a landscape, and you won't notice any visible diffraction.Wide open, it's fast enough to shoot candlelit dinners. Plus... the bokeh at f/1.4 is insane.
Here's Why The Fuji XF 35mm f/1.4 is So Impressive
More important than sharpness, autofocus speed, or build quality is something a bit more ineffable: the 'character' of the lens.
You can benchmark contrast or bokeh roundness, but sometimes, the marriage of certain optical elements produces a unique look and feel. The Fuji XF 35mm f/1.4 has scores of dedicated loyalists across the world who've fallen in love with the color reproduction and woozy mix of sharpness and creaminess produced specifically by this lens.
It's image quality has been compared to that of the human eye – tack sharpness at the focus point of the photograph, with a gradual, dreamy fall-off into softness.
Whether you agree or not, a quick scroll through the Flickr page for this lens strongly supports the concept that this lens flavors its images with a distinct look. It's a love-it-or-hate-it, stylized aesthetic, but I haven't been able to stop shooting with it since I picked it up.
Fuji Lens Reviews for Your Fujifilm Mirrorless Camera
If you're hunting for the perfect lens to go with your Fuji body, check out a comprehensive list of our Fuji lens reviews below:
Digital strategist, writer, and image maker based in Manhattan working with clients in the tech and entertainment industry.